For us to accomplish our objectives and surpass our aims, outstanding work must be created, produced, and delivered. So what occurs when energy levels are low? What occurs if there is no output? What happens if the inspiration isn’t there and there doesn’t appear to be enough time to create? Or when perfectionism and procrastination prevent us from moving forward? Great work can be stopped by a variety of factors, but we shouldn’t let our own justifications do it. The majority of justifications offered by people are untrue; they are simply myths that need to be dispelled.
1. Long periods of leisure time are required.
It’s a misconception that you need to set aside hours of unstructured time in order to be creative, strategic, or visionary, and it can lead to massive procrastination. It is useless to concentrate your attention on this ethereal “block of time.” The block actually gets smaller as job and administrative responsibilities encroach; you’re already exhausted before you start creating, and time is frequently wasted delving into fruitless “research” rabbit holes.
Negative conditioning results from delaying action until a block of time is available and then failing to make significant progress during that block. You’re training your mind to steer clear of and avoid. Both are ineffective for producing the results you want. Take advantage of minor windows of opportunity rather than waiting for larger ones to arise. Grab some time in a waiting area to brainstorm, and put the television away in favour of some freewriting. For sculpture, painting, or recording, get up early. Wherever you can, make the time to express your priorities.
2. When you’re having success, keep going.
Work will feel amazing once you’re in the zone. As you type, thoughts flow easily and quickly as you simply produce page after page. This fits right in. However, fear suggests that this sensation might pass. The fact that it took you so long to get here may have made you afraid to stop in case you can’t find your mojo again. However, if you keep going until you’re burned out, you’ll first experience a brief euphoria before realising that you can’t pick up where you left off or even figure out how to get there again.
Hurwitz encourages you to consider the big picture. Anxiety loops are produced when you worry that you won’t be able to enter the zone once more. Additionally, flow state can be purposefully created by practise and decision. Remember that flow can be abundant rather than considering it like a rare sight. Flow is given to you in proportion to how calm you are. So, relax and accept that it will happen.
3. You must be motivated to accomplish good deeds.
What came first, the inspiration or the result in the creator’s interpretation of the chicken and egg question? The myth holds that the chain begins with inspiration, however this is frequently untrue. You work to get inspired, not the other way around. Regardless of how you are feeling, show up. You are helpless if you wait for inspiration to hit. Being helpless is bad. The aim is to be powerful and productive.
Don’t wait till you’re inspired to start. Ahead of it at the starting line and aware that it is gaining up to you Consider treating this like a game; when you’re at your lowest, see what you can come up with. Imagine what you can accomplish when you’re in top form if you can write a scruffy page despite being exhausted, irritable, and hungry. Start working right away, and the inspiration will come just as it should.
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4. First draughts ought to be nearly complete.
It’s likely that the first draught of almost any excellent sales presentation, brochure, website, or manuscript would change significantly from the finished product. All of your ideas are jumbled together on the page in your first draught. Everyone could use an editor to improve their work. Your first draught can be as scruffy as all first draughts are. The first draught, according to Terry Pratchett, is simply you explaining the narrative to yourself. Every piece of work Tim Ferriss produces is edited three times: once for him, once for the reader, and once for the detractors.
Your lack of embarrassment over your early work is embarrassing in and of itself. It implies that you have not advanced. It indicates that you haven’t improved, adjusted, or edited—all of which are essential. Almost no one writes clearly the first time they do it. Almost nobody uses perfect soundbites when speaking. Humans are disorganised, dispersed machines that occasionally require recalibration. Even if your first draught is bad, it might still turn out great.
5. It’s too hard or you’re moving too slowly.
A line steeper in comparison is thinking you’re moving too slowly. Whose standards are too slow? Everyone encounters difficulties in being productive when they are creating. She recommended that this emotion wasn’t permanent and that you may get better with perseverance, excellent habits, and the correct tools and practises.
The keyboard, the pen, and the few extra minutes. the beginnings of an idea or the determination to start. It’s not necessary to have fancy tools, and one tool may be sufficient. Slow development is still development. The idea is to feel challenged; easy is not the desired outcome. McDonald’s, not the Mona Lisa, is what fast and easy means. To overcome procrastination and start creating, feel comfortable working slowly and steadily.
Holding onto the productivity myths causes the punishment paradigm, which my early mentor, Doctor Gina Hiatt, dubbed a painful downward spiral of energy. In the beginning, perfectionism and procrastination lead to paralysis, a cycle that is difficult to escape once it’s ingrained, this is when it becomes apparent. The destructive notion that everything must be flawless before starting is one that will keep resurfacing until all forward movement has been taken. However, if you think that you just need brief periods of time to work, that your first draught can be terrible, and that inspiration only comes to you once you start down the path rather than before, you might find yourself producing masterpiece after masterpiece.
